This show may have been a hard sell for a Sunday, but a sizeable portion of local music fans still made it down to the Boileroom for this show. Earlycomers were treated to Tusks (aka Emily Underhill), a recent discovery who is fast becoming Read more…
As a music venue embedded into Stamford Bridge (the stadium called home by Chelsea F.C.), Under the Bridge was an appropriately unique venue for this unique show. An industry showcase set up by trade paper Music Week, networking hub MusicConnex, promoters ILUVLIVE, and south coast music school BIMM, it goes without saying that the high-profile nature of this show inevitably brought its own special set of performance pressures. A quality showcase set has the potential to push an act to the next level, while a duff performance can see a band crossed off “Ones To Watch” lists in the blink of an eye.
On top of the potential for mind-freezing attacks of performance anxiety, this was not Read more…
Imagine you’re a beatboxer. You’re pretty good, so you enter the UK Beatbox Championships. You win. You eat, breathe, sleep and sweat beatboxing for a solid year before returning. You win again. Things get a bit crazy. A comedy video you made in a kitchen gets uploaded to YouTube (as freshly purchased by Google). In time, it will attract over 5 million views.
Over the next several years, you take solo beatboxing as far as it can possibly be taken. You play underground comedy clubs, TV shows, festivals. Your YouTube presence grows. You begin experimenting with live looping technology, battling not rival MCs but inefficient circuitry and user interfaces in the name of getting the ideas in your head into other people’s earholes. You find yourself in a studio, recording an eclectic collection of tracks that takes in everything from dubstep and hip-hop to almost every international folk music style recorded by history. Your debut album gets released; it sells nicely.
Finally, you hit on a pair of serious problems. Read more…
Roy English is straight-up cool. Deep retro vibes permeate Julianne, lending it an air of nostalgia while masterfully avoiding Read more…
Bands capable of speaking out intelligently about political issues are few and far between these days. Most seem set on insisting that it’s all about the music and having a good time, rather than encouraging their audiences to educate themselves and act on issues that mean so much to so many, but are often ignored in the age of cheap flatscreens and Xbox Live.
TMMP’s ultimate highlight Read more…
The Borderline – a cramped basement located around the corner from London’s infamous Crobar – is the perfect venue for a night of unrelenting rock. This time out, it’s safe to say that every band on the bill delivered exactly that. Read more…
In an age of instant gratification, where everyone wants everything yesterday, dropping a sophomore album over three and a half years after your debut can be an anxiety-provoking event. It can be argued that music fans are more fickle than ever, easily susceptible as we all are to distraction and immediate amnesia – and under such conditions, almost any musician could reasonably expect the world to have moved on over the course of 42 minutes, let alone months. However, Beardyman is no standard-issue artist. Read more…
This is more like it.
When I last reviewed twothirtytwo, I wasn’t too impressed. But on this four-track extended player, things are very very different indeed. Gone are the awful drum sounds, below-par production and scrappy guitar tones; this is a complete 180-degree turn from what came before. Read more…